Preset reference

Auto-generated summary of every built-in preset that ships in the app. Tap a preset name in the app to load it; this page describes what's inside — voices, FX highlights, timing envelopes, and (for the Drone Artists category) curated artistic context.

Each row is one voice. Source is the waveform or sample. Highlights lists non-default amp / drive / filter / reverb / delay / grain / timing values — defaults are omitted to keep the table scannable. Pitches are shown as both note name and Hz so they read in any tuning system.

Jump to: Setup (1) Drone Artists (48) Developer Patches (19) Natural Resonance (7) Cymatics (6) Solfeggio (11) Mystic & Composers (6) binaural2 (6) binaural3 (3) binaural4 (4)

Setup

INIT — Clean state ios web

Reset every voice to neutral · 4 sine voices, dry, no LFO depth

OSC	Source	Note / Pan	Highlights
OSC 1	—	—	silent
OSC 2	sine	centred	—

Drone Artists

Bansuri — Frozen Shimmer ios

Bansuri sustain granular-frozen at 35 % · stereo reverb glow

OSC	Source	Note / Pan	Highlights
OSC 1	sample: Bansuri C4 (granular)	C4 (261.63 Hz), centred	amp 0.55
OSC 2	sine	A3 (220.00 Hz), L	amp 0.22
OSC 3	sine	A2 (110.00 Hz), R	amp 0.20
OSC 4	—	—	silent

Basinski — Disintegration ios web

Basinski · tape-loop voice + pink-noise hiss · C major support

William Basinski recorded a 1980s tape loop in 2001, only to watch its iron oxide flake off into his cassette deck across hours of playback. The recording of that decay became The Disintegration Loops. This preset uses pink-noise granular on voice 4 to mimic the tape-hiss layer, with the main melodic voices entering at 90 s — the long fade-in is the point. Pair with the WINDOW row's fade-in/out settings on a sample voice for the literal tape-decay effect.

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	C4 (261.63 Hz), centred	amp 0.55, drive 1.80×, LP 1500 Hz Q 1.00
OSC 2	sine	C3 (130.81 Hz), centred	—
OSC 3	sine	G4 (392.00 Hz), slight L	amp 0.35
OSC 4	pink noise	centred	amp 0.22, HP 600 Hz Q 0.70, start 90 s

Basinski — Tape Decay Cycle ios web

Basinski · loop fades out as granular crackle takes over · 5-min arc

OSC	Source	Note / Pan	Highlights
OSC 1	—	—	silent
OSC 2	triangle	C4 (261.63 Hz), centred	amp 0.55, drive 1.50×, LP 1500 Hz Q 1.00, play 240 s
OSC 3	sine	C3 (130.81 Hz), centred	amp 0.35
OSC 4	granular noise	L	HP 1200 Hz Q 1.20, grain 45 ms @ 2.50/s, start 30 s

Budd — Granular Pearl Drops ios web

Budd · soft pad · sparse granular pebbles · 5-min arc

OSC	Source	Note / Pan	Highlights
OSC 1	sine	F3 (174.61 Hz), slight L	LP 1200 Hz Q 0.70
OSC 2	sine	C4 (261.63 Hz), slight R	amp 0.40, LP 1200 Hz Q 0.70, start 30 s
OSC 3	granular noise	L	amp 0.35, BP 2400 Hz Q 2.50, grain 14 ms @ 3.00/s, start 60 s / play 240 s
OSC 4	granular noise	R	amp 0.35, BP 3000 Hz Q 2.50, grain 12 ms @ 4.00/s, start 120 s / play 180 s

Budd — Pearl Pad ios web

Harold Budd · soft Cmaj7 pad · breathing amp LFO · 9 s reverb halo

Harold Budd played soft-pedalled Steinways through cascading reverb tanks; Brian Eno produced him. The preset uses sine voices with mild chorus and a very long reverb decay; the chord template defaults to a sus2 voicing because Budd's harmonic vocabulary was open and unresolved. Try it on top of a journey for an instant Eno-Budd The Plateaux of Mirror atmosphere.

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C3 (130.81 Hz), slight L	—
OSC 2	sine	G3 (196.00 Hz), slight R	—
OSC 3	triangle	C4 (261.63 Hz), slight L	amp 0.38
OSC 4	triangle	E4 (329.63 Hz), slight R	amp 0.35

Chord Arpeggio ios web

Solo voice · S&H pitch quantized to current chord · slow random walk

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	A3 (220.00 Hz), centred	—
OSC 2	—	—	silent
OSC 3	—	—	silent
OSC 4	—	—	silent

Coltrane — Spiritual Granular ios web

Coltrane · Leslie organ · granular tabla blooms 1:00–4:00

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	A2 (110.00 Hz), L	drive 1.80×, LP 2000 Hz Q 1.00
OSC 2	triangle	E3 (165.00 Hz), R	drive 1.80×, LP 2000 Hz Q 1.00, start 30 s
OSC 3	granular noise	centred	amp 0.40, BP 1400 Hz Q 2.00, grain 35 ms @ 6.00/s, start 60 s / play 180 s
OSC 4	sine	A1 (55.00 Hz), centred	amp 0.35

Coltrane — Spiritual Organ ios web

Alice Coltrane · Bbm7 organ · Leslie pan rotation + tremolo

Alice Coltrane played Wurlitzer organ through a Leslie speaker into hours of devotional improvisation; her recordings under Swami Turiyasangitananda are the modal-jazz-ashram bridge. This preset uses sawtooth voices through chorus + delay to suggest the Leslie spread, with a Dorian-flavoured chord template. Open the Modal chord category and pick Dorian or Aeolian to lock it deeper into the spiritual-jazz idiom.

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	A♯1 (58.27 Hz), centred	amp 0.60, LP 1500 Hz Q 1.00
OSC 2	sawtooth	A♯2 (116.54 Hz), L	LP 2000 Hz Q 1.00
OSC 3	sawtooth	F3 (174.61 Hz), R	amp 0.40, LP 2200 Hz Q 1.00
OSC 4	triangle	G♯3 (207.65 Hz), centred	amp 0.36

Detune Choir ios web

Unison triangle quartet · independent ±¼-semi drift periods · natural chorusing

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	A3 (220.00 Hz), L	amp 0.40
OSC 2	triangle	A3 (220.00 Hz), slight L	amp 0.40
OSC 3	triangle	A3 (220.00 Hz), slight R	amp 0.40
OSC 4	triangle	A3 (220.00 Hz), R	amp 0.40

Earth — Granular Tar ios web

Earth · low-B doom dyad · dense granular grit 1:30–6:00

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	B0 (30.87 Hz), L	amp 0.70, drive 5.00×, LP 500 Hz Q 1.80
OSC 2	sawtooth	F♯1 (46.25 Hz), R	amp 0.60, drive 4.50×, LP 550 Hz Q 1.80, start 30 s
OSC 3	granular noise	centred	BP 1200 Hz Q 1.80, grain 22 ms @ 16.00/s, start 90 s / play 270 s
OSC 4	sine	—, centred	amp 0.00

Earth — Tar Pit ios web

Earth (Carlson) · Earth-2 doom · driven low B + 4th · 10 s reverb

Earth (Dylan Carlson) basically invented drone metal in 1990 with Earth 2 — slow downtuned riffs played at minimal tempo, no drums. This preset matches the doom register: square wave bass at a tritone interval with heavy drive and high-resonance low-pass — the resonant filter sweep is what Carlson got from his amp's tone stack. Bonus: open the DRIFT pill and pick Glacial Down to suggest detuning fatigue across a long session.

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	B0 (30.87 Hz), slight L	amp 0.70, drive 4.50×, LP 250 Hz Q 2.00
OSC 2	sawtooth	E1 (41.20 Hz), slight R	amp 0.65, drive 4.00×, LP 280 Hz Q 1.80
OSC 3	square	B1 (61.74 Hz), centred	drive 3.00×, LP 400 Hz Q 1.50
OSC 4	sine	F♯2 (92.50 Hz), centred	amp 0.35

Galactic Dust ios

Cosmic synth · ultra-fine grains · stereo reverb depth

OSC	Source	Note / Pan	Highlights
OSC 1	sample: Galactic-C2 (granular)	C4 (261.63 Hz), L	—
OSC 2	sample: Galactic-C2 (granular)	C3 (130.81 Hz), R	amp 0.40
OSC 3	—	—	silent
OSC 4	—	—	silent

Geiger Counter (Granular) ios web

Granular · isolated clicks every ~1 s · soft sine bed · medium reverb

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A2 (110.00 Hz), centred	amp 0.40, LP 1200 Hz Q 0.70
OSC 2	granular noise	centred	amp 0.55, HP 1400 Hz Q 1.00, grain 12 ms @ 1.20/s
OSC 3	sine	—, centred	amp 0.00
OSC 4	sine	—, centred	amp 0.00

Haino — Granular Spectral ios web

Haino · D drone · two granular shimmer layers cross-fade 1:00–5:00

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	D2 (73.42 Hz), centred	amp 0.55, drive 3.00×, LP 800 Hz Q 1.80
OSC 2	square	D3 (146.83 Hz), centred	amp 0.25, LP 1200 Hz Q 1.50, start 30 s
OSC 3	granular noise	L	amp 0.40, HP 2500 Hz Q 1.80, grain 25 ms @ 16.00/s, start 60 s / play 180 s
OSC 4	granular noise	R	amp 0.35, HP 1500 Hz Q 1.80, grain 40 ms @ 12.00/s, start 180 s

Haino — Spectral Shimmer ios web

Keiji Haino · D drone + HP shimmer · wobble + chorus halo

Keiji Haino plays guitar like he's exorcising it — feedback-driven, dynamics from silence to absolute saturation, sometimes with vocal screams folded in. The preset captures the high-end shimmer rather than the violence: bandpass filter at high Q sweeping slowly, high voices on sine + triangle. Pair with chorus on max width for the stereo phasing that Haino's amplifiers produce naturally.

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	D2 (73.42 Hz), centred	amp 0.55, drive 3.50×, LP 800 Hz Q 2.00
OSC 2	sawtooth	A5 (880.00 Hz), L	amp 0.22, HP 600 Hz Q 3.00
OSC 3	sawtooth	C♯6 (1108.73 Hz), R	amp 0.18, HP 700 Hz Q 3.00
OSC 4	square	A3 (220.00 Hz), centred	amp 0.25, LP 1500 Hz Q 1.00

Lydian Bloom ios

Lydian intervals · triangle voices · v1.1 stereo glow

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	C3 (130.81 Hz), hard L	amp 0.40
OSC 2	triangle	E3 (164.81 Hz), slight L	amp 0.35
OSC 3	triangle	F♯3 (185.00 Hz), slight R	amp 0.30
OSC 4	triangle	B3 (246.94 Hz), hard R	amp 0.30

Microtonal Dance ios web

Polyrhythmic drift · periods 30/60/120/240 s · aligns every 4 min

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	A3 (220.00 Hz), L	amp 0.40
OSC 2	triangle	C♯4 (277.18 Hz), slight L	amp 0.40
OSC 3	triangle	E4 (329.63 Hz), slight R	amp 0.40
OSC 4	sine	A2 (110.00 Hz), centred	amp 0.35

Niblock — Granular Cluster ios web

Niblock · 3-voice microtonal cluster · granular peppering on slow LFO

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	A3 (220.00 Hz), L	amp 0.40
OSC 2	sawtooth	A3+18¢ (222.30 Hz), centred	amp 0.40, start 30 s
OSC 3	sawtooth	A3-15¢ (218.10 Hz), R	amp 0.40, start 60 s
OSC 4	granular noise	centred	BP 1500 Hz Q 1.80, grain 28 ms @ 5.00/s, start 90 s

Niblock — Tight Cluster ios web

Phill Niblock · 4-voice microtonal cluster · beating as harmony

Phill Niblock sustained microtonal clusters at fortissimo for hours, recording dozens of takes of single notes by trombonists or cellists and layering them until beat frequencies thickened into a single inhuman timbre. This preset packs four sawtooths within a ~50-cent band so their fundamentals beat against each other; the resulting AM rhythm is what Niblock called "the unison." Use HEADPHONES — speakers can't reproduce the in-ear interference patterns.

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	A3 (220.00 Hz), hard L	—
OSC 2	sawtooth	A3+20¢ (222.55 Hz), slight L	—
OSC 3	sawtooth	A3-12¢ (218.45 Hz), slight R	—
OSC 4	sawtooth	A3+10¢ (221.25 Hz), hard R	—

Nurse With Wound — Avant Tableau ios web

NWW · driven saw + S&H square + white-noise bursts + ping-pong 1/4T

Nurse With Wound (Steven Stapleton) defined unclassifiable European avant — collages, noise, dada, surreal sound art. This preset throws white noise + sample-and-hold LFO on filter cutoff to produce the bell-tone clatter that NWW used as connective tissue across albums. Combine with the granular waveform on voice 2 for the full Soliloquy for Lilith insectile rustle.

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	F2 (87.31 Hz), hard L	drive 3.00×, LP 900 Hz Q 1.00
OSC 2	square	A♯3 (233.08 Hz), hard R	amp 0.35, drive 2.00×, HP 400 Hz Q 2.50
OSC 3	sine	D♯4 (311.13 Hz), slight L	amp 0.30
OSC 4	white noise	slight R	amp 0.30, BP 1200 Hz Q 4.00

Nurse With Wound — Granular Tableau ios web

NWW · FM weirdness · two granular interference waves at 0:30 + 2:30

OSC	Source	Note / Pan	Highlights
OSC 1	square	A2 (110.00 Hz), L	amp 0.40, drive 2.50×, LP 1800 Hz Q 2.00
OSC 2	sawtooth	E3 (165.00 Hz), R	amp 0.35, BP 900 Hz Q 3.00
OSC 3	granular noise	slight L	amp 0.40, HP 1800 Hz Q 1.50, grain 8 ms @ 35.00/s, start 30 s / play 90 s
OSC 4	granular noise	slight R	amp 0.40, BP 2200 Hz Q 2.50, grain 15 ms @ 25.00/s, start 150 s / play 90 s

Oliveros — Deep A Resonance ios web

Pauline Oliveros · slow A drone · voices enter at 0 / 1 / 2 / 4 min

Pauline Oliveros founded Deep Listening — the practice of letting a single sustained tone teach you to hear. This preset stacks four sine voices on a low A across two octaves and stages them in 60-second arrivals, mirroring her accordion drones that built incrementally over a session. Listen for the beat patterns between voices 1 and 2; that's where the meditation actually lives.

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A2 (110.00 Hz), L	amp 0.55, reverb 8.0s @ 0.40
OSC 2	sine	A3 (220.12 Hz), R	reverb 8.0s @ 0.40, start 60 s
OSC 3	sine	E4 (329.85 Hz), slight L	amp 0.42, reverb 8.0s @ 0.40, start 120 s
OSC 4	sine	A4 (440.00 Hz), slight R	amp 0.38, reverb 8.0s @ 0.40, start 240 s

Oliveros — Sonic Meditation (Granular) ios web

Oliveros · A-drone pairs enter at 0 / 60 / 120 s · granular breath fades after 4 min

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A2 (110.00 Hz), slight L	—
OSC 2	sine	A3 (220.00 Hz), slight R	start 60 s
OSC 3	sine	A1 (55.00 Hz), centred	amp 0.40, start 120 s
OSC 4	granular noise	centred	amp 0.30, BP 1200 Hz Q 1.50, grain 80 ms @ 6.00/s, play 240 s

Palestine — Granular Strumming ios web

Palestine · just-D triangles · granular bell grains depart at 3:00

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	D2 (73.42 Hz), slight L	amp 0.55
OSC 2	triangle	F♯2-14¢ (91.78 Hz), slight R	start 20 s
OSC 3	triangle	D3 (146.83 Hz), centred	amp 0.40, start 50 s
OSC 4	granular noise	centred	amp 0.30, HP 2500 Hz Q 2.00, grain 22 ms @ 10.00/s, play 180 s

Palestine — Strumming Overtones ios web

Charlemagne Palestine · just D + 5/4 F# · piano-sustain chorus wash

Charlemagne Palestine sat at a Bösendorfer Imperial for hours hammering a single chord, letting the strings' upper partials emerge as audible melodies — what he called plus l'harmonie. This preset uses triangle voices with high reverb mix + long decay, and chorus on a slow rate to suggest the keyboard's micro-detuning. The chord template stays whatever you pick; the magic is in not changing it for a while.

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	D2 (73.42 Hz), slight L	amp 0.60
OSC 2	triangle	F♯2-14¢ (91.78 Hz), slight R	—
OSC 3	sawtooth	A3 (220.00 Hz), L	amp 0.38, LP 2500 Hz Q 0.70
OSC 4	sawtooth	D4 (293.66 Hz), R	amp 0.38, LP 2800 Hz Q 0.70

Pendulum Dawn ios web

Voices swing wide L↔R while pitch breathes — Ocean + Pendulum

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	C3 (130.81 Hz), centred	—
OSC 2	triangle	G3 (196.00 Hz), centred	amp 0.40
OSC 3	triangle	C4 (261.63 Hz), centred	amp 0.35
OSC 4	sine	G4 (392.00 Hz), centred	amp 0.25

Pendulum Reverberation ios

Drifting pans · stationary stereo room

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	D3 (146.83 Hz), centred	amp 0.35
OSC 2	sine	A3 (220.00 Hz), centred	amp 0.32
OSC 3	triangle	D4 (293.66 Hz), centred	amp 0.30
OSC 4	—	—	silent

Phrygian Stillness ios

Phrygian intervals · 60 s breath cycle × 3 · wide reverb

OSC	Source	Note / Pan	Highlights
OSC 1	—	—	silent
OSC 2	sine	C3 (130.81 Hz), L	amp 0.35, start 60 s / play 240 s / × 3 replay
OSC 3	triangle	C♯3 (138.59 Hz), slight L	amp 0.32, start 80 s / play 240 s / × 3 replay
OSC 4	sine	D♯3 (155.56 Hz), slight R	amp 0.30, start 100 s / play 240 s / × 3 replay

Quantum Bells ios web

4 voices · coprime S&H rates · quantized arpeggio cloud

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	A3 (220.00 Hz), L	amp 0.32
OSC 2	sine	C♯4 (277.18 Hz), slight L	amp 0.32
OSC 3	triangle	E4 (329.63 Hz), slight R	amp 0.30
OSC 4	sine	A4 (440.00 Hz), R	amp 0.28

Quarter-Tone Cluster ios web

4-voice sawtooth cluster · each voice wanders ±½ semi at its own tempo

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	A3 (220.00 Hz), hard L	amp 0.40
OSC 2	sawtooth	A3+18¢ (222.30 Hz), slight L	amp 0.40
OSC 3	sawtooth	A3-15¢ (218.10 Hz), slight R	amp 0.40
OSC 4	sawtooth	A3+11¢ (221.40 Hz), hard R	amp 0.40

Radigue — Île Granular ios web

Radigue · 0.4 Hz binaural beat · granular clouds bloom 1:00–6:00

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A4 (440.00 Hz), L	—
OSC 2	sine	A4 (440.40 Hz), R	—
OSC 3	sine	A2 (110.00 Hz), centred	amp 0.35
OSC 4	granular noise	centred	amp 0.40, LP 1500 Hz Q 1.00, grain 350 ms @ 0.80/s, start 60 s / play 300 s

Radigue — Île Re-Sonante ios web

Éliane Radigue · 4¢ + 0.3 Hz beating · static-seeming, ever-shifting

Éliane Radigue spent decades coaxing music from a single ARP 2500 synthesiser, building works where the only events are infinitesimally slow timbral shifts. This preset uses two sine voices a perfect fifth apart with very slow amplitude LFOs (around 0.05 Hz, one full cycle ≈ 20 s) and long stereo reverb — the voices breathe past each other without ever quite landing in phase. Best with eyes closed at low volume.

OSC	Source	Note / Pan	Highlights
OSC 1	sine	D2 (73.42 Hz), L	amp 0.62
OSC 2	sine	D2+4¢ (73.59 Hz), R	amp 0.62
OSC 3	sine	A3 (220.00 Hz), slight L	amp 0.38
OSC 4	sine	A3 (220.30 Hz), slight R	amp 0.38

Rain Shower (Granular) ios web

Granular · dense pattering · two stereo layers · airy reverb

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	A2 (110.00 Hz), centred	amp 0.25, LP 800 Hz Q 0.70
OSC 2	granular noise	L	HP 1000 Hz Q 1.00, grain 25 ms @ 28.00/s
OSC 3	granular noise	R	HP 1100 Hz Q 1.00, grain 22 ms @ 32.00/s
OSC 4	sine	—, centred	amp 0.00

Riley — Granular Cascade ios web

Riley · triangle cascade · granular sparkle 0:30–4:00 · ping-pong delays

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	E3 (164.81 Hz), L	—
OSC 2	triangle	B3 (246.94 Hz), R	amp 0.40, start 15 s
OSC 3	triangle	E4 (329.63 Hz), slight L	amp 0.35, start 45 s
OSC 4	granular noise	centred	amp 0.30, HP 2500 Hz Q 1.50, grain 18 ms @ 14.00/s, start 30 s / play 210 s

Riley — Rainbow Repetition ios web

Terry Riley · just C major cascade · voices enter at 0 / 15 / 45 / 90 s

Terry Riley's In C (1964) introduced the cascade — same material entering at staggered times until the texture flowers. Four triangle voices in just-intonation C major enter at 0 / 15 / 45 / 90 s with ping-pong delay locked to eighth notes; the delay's 65% feedback turns each voice into a self-cascading echo within the larger cascade. Open the chord pill to swap to another root and the pattern still holds.

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	C3 (130.81 Hz), centred	—
OSC 2	triangle	G3 (196.22 Hz), L	start 15 s
OSC 3	triangle	C4 (261.63 Hz), R	start 45 s
OSC 4	triangle	E4-14¢ (327.04 Hz), slight L	amp 0.42, start 90 s

Scriabin — Tape Decay ios

Mystic piano sample · granular cloud · 8 s stereo decay

OSC	Source	Note / Pan	Highlights
OSC 1	sample: scriabin-mystic-piano (granular)	C4 (261.63 Hz), L	—
OSC 2	sine	C3 (130.81 Hz), R	amp 0.25
OSC 3	—	—	silent
OSC 4	—	—	silent

Sparse Rain (Granular) ios web

Granular · soft droplets · open-room reverb · ambient sub-bass

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A1 (55.00 Hz), centred	amp 0.30, LP 600 Hz Q 0.70
OSC 2	granular noise	L	BP 2000 Hz Q 2.50, grain 35 ms @ 4.00/s
OSC 3	granular noise	R	amp 0.42, BP 2200 Hz Q 2.50, grain 40 ms @ 5.00/s, start 8 s
OSC 4	sine	—, centred	amp 0.00

Stars of the Lid — Granular Halo ios web

SOTL · orchestral pad · granular dust enters at 60 s and stays

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	A3 (220.00 Hz), slight L	amp 0.40, LP 900 Hz Q 0.80
OSC 2	sawtooth	E4 (329.63 Hz), slight R	amp 0.35, LP 900 Hz Q 0.80, start 30 s
OSC 3	sawtooth	A4 (440.00 Hz), centred	amp 0.25, LP 900 Hz Q 0.80, start 90 s
OSC 4	granular noise	centred	amp 0.25, HP 2000 Hz Q 1.00, grain 60 ms @ 18.00/s, start 60 s

Stars of the Lid — Orchestral Halo ios web

Stars of the Lid · A major halo · chord blooms 0 / 30 / 90 / 180 s

Stars of the Lid (Adam Wiltzie + Brian McBride) built ambient music from sampled orchestral strings stretched into haloed pads. This preset uses sawtooth voices low-passed hard, with long reverb and a chord that blooms over 3 minutes via Replay × N timing — voice 1 at 0 s, voice 2 at 30 s, voice 3 at 90 s, voice 4 at 180 s. The result is the harmonic content slowly accumulating without you noticing when each new note arrived.

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	A2 (110.00 Hz), L	LP 800 Hz Q 1.50
OSC 2	sawtooth	E3 (164.81 Hz), R	LP 900 Hz Q 1.50, start 30 s
OSC 3	sawtooth	A3 (220.00 Hz), slight L	amp 0.40, LP 1100 Hz Q 1.50, start 90 s
OSC 4	sawtooth	C♯4 (277.18 Hz), slight R	amp 0.35, LP 1300 Hz Q 1.50, start 180 s

Stone Tape (Granular) ios web

Granular · rare low grains · long-tail reverb · sub-bass drone bed

OSC	Source	Note / Pan	Highlights
OSC 1	sine	E1 (41.20 Hz), centred	amp 0.35, LP 350 Hz Q 0.70
OSC 2	granular noise	centred	amp 0.55, LP 800 Hz Q 1.50, grain 180 ms @ 0.70/s
OSC 3	granular noise	centred	amp 0.30, LP 500 Hz Q 1.50, grain 240 ms @ 0.50/s, start 30 s
OSC 4	sine	—, centred	amp 0.00

Sunn O))) — Granular Tar Pit ios web

Sunn O))) · sub-bass + amp-decay granular crackle from 1:00 · drop master volume

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	E1 (41.20 Hz), L	amp 0.75, drive 6.50×, LP 600 Hz Q 1.50
OSC 2	square	E1+15¢ (41.55 Hz), R	amp 0.65, drive 5.50×, LP 700 Hz Q 1.50
OSC 3	granular noise	centred	amp 0.40, HP 1500 Hz Q 1.20, grain 30 ms @ 8.00/s, start 60 s
OSC 4	granular noise	centred	amp 0.35, BP 2500 Hz Q 2.00, grain 18 ms @ 22.00/s, start 180 s

Sunn O))) — Onyx Tar ios web

Sunn O))) · sub-bass E + amp drive · square tremolo · drop master volume

Sunn O))) (pronounced "sun") plays metal at one note per minute, with maximum amplifier saturation. This preset drops the chord into the sub-bass register, cranks drive on every voice, and stacks the same root across three octaves. Drop master volume first — the drive on this patch will absolutely melt your speakers at default level. The fourth voice is a high overtone meant to suggest the bowed-cymbal partials that ride above their riffs.

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	E1 (41.20 Hz), L	amp 0.75, drive 6.50×, LP 350 Hz Q 2.00
OSC 2	square	E1+15¢ (41.55 Hz), R	amp 0.65, drive 5.50×, LP 400 Hz Q 1.80
OSC 3	sawtooth	E2 (82.40 Hz), centred	amp 0.55, drive 4.00×, LP 500 Hz Q 1.50
OSC 4	sawtooth	B2 (123.47 Hz), slight R	amp 0.40, drive 3.00×, LP 700 Hz Q 1.50

Tibetan Bowl Cycle ios web

Bowl-like wobble · ±½ semi every 3 min · long-tail reverb

OSC	Source	Note / Pan	Highlights
OSC 1	triangle	D3 (146.83 Hz), centred	amp 0.55, LP 1800 Hz Q 0.90
OSC 2	sine	A3 (220.00 Hz), L	amp 0.40
OSC 3	sine	D4 (293.66 Hz), R	amp 0.30, start 30 s
OSC 4	sine	D5 (587.33 Hz), centred	amp 0.15, HP 400 Hz Q 0.70, start 60 s

Tide Breath ios web

Just-A chord · four voices breathe out of sync · Ocean drift

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A2 (110.00 Hz), L	—
OSC 2	sine	E3 (164.81 Hz), slight L	amp 0.40
OSC 3	sine	A3 (220.00 Hz), slight R	amp 0.40
OSC 4	sine	C♯4 (277.18 Hz), R	amp 0.35

Vowel Cloud ios

Vox sample · long granular vowels · stereo cathedral

OSC	Source	Note / Pan	Highlights
OSC 1	sample: jg-vox-nothing-at-all (granular)	A3 (220.00 Hz), centred	amp 0.55
OSC 2	—	—	silent
OSC 3	—	—	silent
OSC 4	—	—	silent

Wada — Bagpipe Drone ios web

Yoshi Wada · just A + 3/2 + 9/8 · reed wobble + multi-reed chorus

Yoshi Wada built giant sirens and resurrected the Highland-pipe tradition with new technology, finding the sweet spot between folk and minimalism. This preset stacks a fifth + octave drone on sawtooth voices with stereo chorus and a touch of drive — the pipe character comes from the upper voice running a slow LFO on pitch that suggests reed instability. Set OSC 4's frequency by ear to a true just 7th over the root for the most authentic pipe colour.

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	A2 (110.00 Hz), centred	amp 0.65, LP 1800 Hz Q 1.00
OSC 2	sawtooth	A3 (220.00 Hz), L	LP 2200 Hz Q 1.00
OSC 3	sawtooth	E3 (165.00 Hz), R	amp 0.42, LP 2000 Hz Q 1.00
OSC 4	sawtooth	B3+4¢ (247.50 Hz), slight L	amp 0.30, LP 2500 Hz Q 1.00

Wada — Granular Bagpipe Breath ios web

Wada · just-intoned drone · granular wind enters 1:00, departs 5:00

OSC	Source	Note / Pan	Highlights
OSC 1	sawtooth	D3 (146.83 Hz), L	drive 2.00×, LP 1500 Hz Q 0.90
OSC 2	sawtooth	A3 (220.00 Hz), R	drive 2.00×, LP 1500 Hz Q 0.90
OSC 3	sawtooth	D4 (293.66 Hz), centred	amp 0.30, drive 1.80×, LP 1700 Hz Q 0.90, start 30 s
OSC 4	granular noise	centred	amp 0.35, BP 1200 Hz Q 1.50, grain 100 ms @ 12.00/s, start 60 s / play 240 s

Wide Cathedral ios

Four sines · hard-panned · 9 s stereo reverb

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A2 (110.00 Hz), hard L	amp 0.40
OSC 2	sine	E3 (164.81 Hz), L	amp 0.35
OSC 3	sine	A3 (220.00 Hz), R	amp 0.35
OSC 4	sine	E4 (329.63 Hz), hard R	amp 0.30

Developer Patches

JG Bloom Swell ios

Sparse 1/2 granular · 12 s FX Mix breath · vocal

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG Dub Wave (granular)	A3 (220.00 Hz), L	play 240 s / ∞ replay
OSC 2	sine	A2 (110.00 Hz), centred	amp 0.40
OSC 3	triangle	E4 (329.63 Hz), R	amp 0.26, start 45 s / play 180 s / ∞ replay
OSC 4	—	—	silent

JG Dub Wave ios

Author recording · dubwise low end · Replay × 5 motion

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG Dub Wave	E4 (329.66 Hz), hard L	amp 0.04, drive 2.10×, LP 959 Hz Q 1.84, reverb 1.1s @ 0.26, delay 0.52s fb 0.24 @ 0.41, grain 63 ms @ 9.90/s, start 15 s / play 180 s / × 2 replay
OSC 2	sine	B1-13¢ (61.27 Hz), slight R	amp 0.59, drive 1.38×, reverb 4.7s @ 0.30, delay 0.30s fb 0.40 @ 0.14
OSC 3	sample: JG Dub Wave-2	B2 (123.47 Hz), slight L	amp 0.99, drive 3.77×, reverb 4.8s @ 0.49, delay 0.70s fb 0.67 @ 0.66, start 30 s / play 180 s / × 3 replay
OSC 4	sine	C♯3 (138.59 Hz), slight R	reverb 2.0s @ 0.66, start 120 s / play 60 s / × 5 replay

JG Gamelan Spiral ios web

Slendro-flavoured pentatonic · gamelan polyrhythm via mismatched replay

OSC	Source	Note / Pan	Highlights
OSC 1	sample: Bagpipe Drone (granular)	A2 (110.00 Hz), centred	amp 0.42, play 180 s / ∞ replay
OSC 2	triangle	B2+41¢ (126.43 Hz), L	amp 0.30, start 12 s / play 22 s / ∞ replay
OSC 3	sine	D3-26¢ (144.61 Hz), R	amp 0.28, start 18 s / play 31 s / ∞ replay
OSC 4	sample: Bansuri C4 (granular)	C4 (261.63 Hz), slight R	start 8 s / play 45 s / ∞ replay

JG Interrupted ios

Vocal granular · high pos jitter · pulsing delay

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG Dub Wave (granular)	A4 (440.00 Hz), slight L	amp 0.44, drive 1.76×, LP 4060 Hz Q 2.09, reverb 3.6s @ 0.12, delay 0.09s fb 0.87 @ 0.96, grain 487 ms @ 6.38/s, start 15 s / play 60 s / × 2 replay
OSC 2	sine	G♯2+33¢ (105.84 Hz), slight R	amp 0.13, drive 1.58×, delay 0.30s fb 0.64 @ 0.60, play 180 s / × 2 replay
OSC 3	sine	A2+50¢ (113.22 Hz), slight L	amp 0.14, drive 1.18×, reverb 7.3s @ 0.52, delay 0.97s fb 0.72 @ 0.80, start 30 s / play 180 s / × 2 replay
OSC 4	triangle	B2-17¢ (122.25 Hz), slight R	amp 0.29, drive 1.98×, HP 284 Hz Q 4.71, delay 0.72s fb 0.65 @ 0.29, start 60 s / play 60 s / × 2 replay

JG JoG ios web

Author recording · JoG sample-granular study

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG JoG (granular)	A2 (110.00 Hz), slight L	amp 0.89, drive 1.63×, LP 4277 Hz Q 3.98, reverb 4.5s @ 0.69, delay 0.19s fb 0.56 @ 0.34, grain 80 ms @ 2.67/s, start 30 s / play 180 s / × 3 replay
OSC 2	sawtooth	C♯3 (138.59 Hz), slight R	amp 0.44, reverb 3.3s @ 0.30, delay 0.25s fb 0.47 @ 0.61, start 60 s / play 60 s / × 5 replay
OSC 3	sine	F3 (174.61 Hz), slight L	drive 1.20×, LP 2002 Hz Q 1.52, reverb 5.7s @ 0.43, delay 0.30s fb 0.40 @ 0.22
OSC 4	sawtooth	A♯1-43¢ (56.84 Hz), slight R	drive 2.10×, LP 471 Hz Q 3.21

JG Lydian Bloom 2 ios web

Lydian · cosmic bed · randomized granular bloom · Replay × 4

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG Chords 2 (granular)	C4 (261.63 Hz), L	play 60 s / × 4 replay
OSC 2	sine	F♯4 (369.99 Hz), R	amp 0.34, start 20 s / play 60 s / × 4 replay
OSC 3	sample: Galactic-C2	C2 (65.41 Hz), centred	amp 0.42, play 240 s / ∞ replay
OSC 4	triangle	A4 (440.00 Hz), centred	amp 0.22, start 40 s / play 60 s / × 4 replay

JG Microtonal Pulse ios web

Quartertone cluster · dense small-grain Clang · pulsing

OSC	Source	Note / Pan	Highlights
OSC 1	sample: Clang and Drone (granular)	A3 (220.00 Hz), L	amp 0.42, play 60 s / ∞ replay
OSC 2	sine	A♯3-48¢ (226.70 Hz), slight L	amp 0.28
OSC 3	sine	A♯3+3¢ (233.50 Hz), slight R	amp 0.28
OSC 4	triangle	B3-46¢ (240.50 Hz), R	amp 0.26

JG Mystic Wash ios web

Scriabin mystic · Basinski-style granular piano cloud

OSC	Source	Note / Pan	Highlights
OSC 1	sample: scriabin-mystic-piano (granular)	C4 (261.63 Hz), L	play 90 s / × 3 replay
OSC 2	sine	F♯4 (369.99 Hz), R	amp 0.28, start 15 s / play 90 s / × 3 replay
OSC 3	sine	C3 (130.81 Hz), centred	amp 0.32, play 240 s / ∞ replay
OSC 4	—	—	silent

JG Ocean Eigenstate ios web

Tide × Calm Sea granular · Pythagorean 3:2 · ocean drift

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A2 (110.00 Hz), centred	amp 0.38, play 240 s / ∞ replay
OSC 2	sample: Tide (granular)	A3 (220.00 Hz), L	start 5 s / play 90 s / ∞ replay
OSC 3	sample: Calm Sea (granular)	E3 (165.00 Hz), R	amp 0.42, start 25 s / play 110 s / ∞ replay
OSC 4	—	—	silent

JG Ondulations ios

Author recording · undulating sample-granular cloud

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG Dub Wave (granular)	B3+32¢ (251.49 Hz), slight L	amp 0.32, drive 1.76×, LP 644 Hz Q 0.88, reverb 2.0s @ 0.24, delay 0.12s fb 0.02 @ 0.38, grain 213 ms @ 21.52/s, start 15 s / play 180 s / × 2 replay
OSC 2	sine	B1-13¢ (61.27 Hz), slight R	amp 0.59, drive 1.38×, reverb 4.7s @ 0.30, delay 0.30s fb 0.40 @ 0.14
OSC 3	sample: JG Dub Wave-2	B2 (123.47 Hz), slight L	amp 0.96, drive 2.73×, reverb 4.8s @ 0.37, delay 0.70s fb 0.67 @ 0.57, start 30 s / play 180 s / × 3 replay
OSC 4	sine	C♯3 (138.59 Hz), slight R	reverb 2.0s @ 0.66, start 120 s / play 60 s / × 5 replay

JG Pearl Bloom ios web

Genesis Soundhread granular pearl · just-intonation 4:5:6 · Replay × 3

OSC	Source	Note / Pan	Highlights
OSC 1	sample: Genesis Soundhread (granular)	C2 (65.41 Hz), centred	play 90 s / × 3 replay
OSC 2	sine	E2-14¢ (81.76 Hz), L	amp 0.30, start 12 s / play 90 s / × 3 replay
OSC 3	sine	G2 (98.12 Hz), R	amp 0.30, start 24 s / play 90 s / × 3 replay
OSC 4	triangle	E3-14¢ (163.52 Hz), centred	amp 0.22, start 36 s / play 90 s / × 3 replay

JG Phrygian Procession ios web

Phrygian dominant · sparse granular procession · Replay × 5

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG Chords 1 (granular)	E3 (164.81 Hz), L	amp 0.55, play 45 s / × 5 replay
OSC 2	sine	F3 (174.61 Hz), R	amp 0.32, start 15 s / play 50 s / × 5 replay
OSC 3	triangle	G♯3 (207.65 Hz), slight L	amp 0.28, start 30 s / play 40 s / × 5 replay
OSC 4	sine	C4 (261.63 Hz), slight R	amp 0.24, start 60 s / play 55 s / × 5 replay

JG Pulse Lock ios

BPM-quantized grain (1/8) + FX Mix swell · vocal loop

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG Dub Wave-2 (granular)	A3 (220.00 Hz), centred	amp 0.55, play 240 s / ∞ replay
OSC 2	sine	A2 (110.00 Hz), L	amp 0.32
OSC 3	triangle	E3 (164.81 Hz), R	amp 0.24, start 30 s / play 180 s / ∞ replay
OSC 4	—	—	silent

JG Small Steps ios web

Author recording · small-steps sample-granular

OSC	Source	Note / Pan	Highlights
OSC 1	granular noise	L	amp 0.55, drive 1.29×, LP 4200 Hz Q 0.76, reverb 6.6s @ 0.86, delay 1.22s fb 0.90 @ 0.98, grain 23 ms @ 5.33/s, play 120 s / ∞ replay
OSC 2	sample: JG Small Steps (granular)	F♯3-23¢ (182.57 Hz), R	amp 0.96, drive 1.77×, LP 2000 Hz Q 2.06, reverb 8.0s @ 0.55, delay 0.75s fb 0.56 @ 0.65, grain 130 ms @ 5.33/s, start 30 s / play 120 s / ∞ replay
OSC 3	triangle	C♯3-43¢ (135.22 Hz), hard R	amp 0.20, reverb 9.3s @ 0.84, delay 0.53s fb 0.73 @ 0.86
OSC 4	triangle	C5+40¢ (535.47 Hz), centred	amp 0.27, drive 1.41×, LP 3961 Hz Q 1.00, reverb 3.2s @ 0.22, delay 0.48s fb 0.28 @ 0.27

JG Storm Mantra ios web

Heavy Rain × Wind 1 granular · A Aeolian stack · ebb and flow

OSC	Source	Note / Pan	Highlights
OSC 1	sample: Heavy Rain (granular)	A3 (220.00 Hz), L	play 80 s / ∞ replay
OSC 2	sample: Wind 1 (granular)	C4 (261.63 Hz), R	amp 0.40, start 30 s / play 100 s / ∞ replay
OSC 3	sine	E4 (329.63 Hz), slight L	amp 0.26, start 50 s / play 60 s / ∞ replay
OSC 4	sine	A2 (110.00 Hz), centred	amp 0.32

JG Tessellation ios web

Bansuri × Shakuhachi · Indian-just · granular tessellation

OSC	Source	Note / Pan	Highlights
OSC 1	sample: Bansuri B2 (granular)	B3 (246.94 Hz), L	amp 0.55, play 120 s / ∞ replay
OSC 2	sample: Shakuhachi Chant 1 C4 (granular)	C4 (261.63 Hz), R	start 30 s / play 120 s / ∞ replay
OSC 3	sine	B2 (123.47 Hz), centred	amp 0.28
OSC 4	—	—	silent

JG WalK ios web

Author recording · slower JoG sample-granular

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG JoG (granular)	A2 (110.00 Hz), centred	amp 0.89, drive 1.63×, LP 4277 Hz Q 3.98, reverb 3.4s @ 0.56, grain 76 ms @ 1.33/s, start 30 s / play 180 s / × 3 replay
OSC 2	sawtooth	C♯3 (138.59 Hz), slight R	amp 0.60, reverb 3.3s @ 0.30, delay 0.25s fb 0.47 @ 0.61, start 60 s / play 60 s / × 5 replay
OSC 3	sine	F3 (174.61 Hz), centred	amp 0.55, reverb 4.4s @ 0.23, delay 0.30s fb 0.40 @ 0.26
OSC 4	sine	A♯1-43¢ (56.84 Hz), slight R	amp 0.83, drive 1.51×, LP 6636 Hz Q 3.21

JG Whispered Forest ios web

Night-forest granular · C Locrian · Bansuri whisper · Replay ∞

OSC	Source	Note / Pan	Highlights
OSC 1	sample: Night forest with insects (granular)	C4 (261.63 Hz), L	play 100 s / ∞ replay
OSC 2	sine	C♯4 (277.18 Hz), R	amp 0.28, start 25 s / play 80 s / ∞ replay
OSC 3	sample: Bansuri C4 (granular)	F♯4 (369.99 Hz), centred	amp 0.40, start 10 s / play 130 s / ∞ replay
OSC 4	triangle	A♯4 (466.16 Hz), centred	amp 0.20, start 50 s / play 60 s / ∞ replay

JG Whole Tone Wind ios

Whole-tone stack · sample granular wind · Replay × 5

OSC	Source	Note / Pan	Highlights
OSC 1	sample: JG Dub Wave (granular)	F4-42¢ (340.92 Hz), L	amp 0.37, drive 1.76×, LP 644 Hz Q 0.88, reverb 2.0s @ 0.24, delay 0.12s fb 0.02 @ 0.38, grain 213 ms @ 21.52/s, start 15 s / play 180 s / × 2 replay
OSC 2	sine	A2 (110.00 Hz), slight R	drive 1.38×, reverb 4.7s @ 0.30, delay 0.30s fb 0.40 @ 0.14
OSC 3	sample: JG Dub Wave-2	B2 (123.47 Hz), slight L	amp 0.75, drive 2.73×, reverb 4.8s @ 0.37, delay 0.70s fb 0.67 @ 0.57, start 30 s / play 180 s / × 3 replay
OSC 4	sine	C♯3 (138.59 Hz), slight R	start 120 s / play 60 s / × 5 replay

Natural Resonance

C-φ (Jose/Alex) ios web

266.67 Hz — the icon-generator frequency

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C3+33¢ (133.33 Hz), hard L	—
OSC 2	sine	C4+33¢ (266.67 Hz), centred	—
OSC 3	sine	C4+33¢ (266.67 Hz), centred	—
OSC 4	sine	C5+33¢ (533.33 Hz), hard R	—

Earth (Schumann fundamental) ios web

7.83 Hz

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G2+35¢ (100.00 Hz), hard L	—
OSC 2	sine	A2-34¢ (107.83 Hz), hard R	—
OSC 3	sine	G1+35¢ (50.00 Hz), centred	—
OSC 4	—	—	silent

Jose & Alex Phi Augmented Chord ios web

C–E–G♯ tuned to 1 : √φ : φ — the Webb triangle

OSC	Source	Note / Pan	Highlights
OSC 1	sine	E3 (164.81 Hz), hard L	—
OSC 2	sine	C4+33¢ (266.67 Hz), centred	—
OSC 3	sine	G♯3+16¢ (209.64 Hz), hard R	—
OSC 4	—	—	silent

Moon 210.42 Hz ios web

Cosmic-octave moon orbit

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G♯3+23¢ (210.42 Hz), centred	—
OSC 2	sine	G♯2+23¢ (105.21 Hz), hard L	—
OSC 3	sine	D♯4+25¢ (315.63 Hz), hard R	—
OSC 4	sine	G♯4+23¢ (420.84 Hz), centred	—

OM 136.1 Hz ios web

Tuned to Earth's year

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C♯3-31¢ (136.10 Hz), centred	—
OSC 2	sine	C♯4-31¢ (272.20 Hz), centred	—
OSC 3	sine	G♯3-29¢ (204.15 Hz), hard L	—
OSC 4	sine	G♯3-29¢ (204.15 Hz), hard R	—

Sable's Chord ios web

φ-tuned C-E-G♯ on the φ-tuned C — 1 : √φ : φ

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C4+33¢ (266.67 Hz), hard L	—
OSC 2	sine	E4+50¢ (339.20 Hz), centred	—
OSC 3	sine	A4-34¢ (431.36 Hz), hard R	—
OSC 4	—	—	silent

Sun 126.22 Hz ios web

Cosmic-octave solar

OSC	Source	Note / Pan	Highlights
OSC 1	sine	B2+38¢ (126.22 Hz), centred	—
OSC 2	sine	B1+38¢ (63.11 Hz), hard L	—
OSC 3	sine	F♯3+40¢ (189.33 Hz), hard R	—
OSC 4	sine	B3+38¢ (252.44 Hz), centred	—

Cymatics

Fibonacci Quartet ios web

100·162·262·424 Hz — φ-progression spiral patterns

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G2+35¢ (100.00 Hz), hard L	—
OSC 2	sine	E3-30¢ (162.00 Hz), centred	—
OSC 3	sine	C4 (262.00 Hz), centred	—
OSC 4	sine	G♯4+36¢ (424.00 Hz), hard R	—

Harmonic Series 1:2:3:4 ios web

100·200·300·400 Hz — clean orthogonal grid

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G2+35¢ (100.00 Hz), hard L	—
OSC 2	sine	G3+35¢ (200.00 Hz), centred	—
OSC 3	sine	D4+37¢ (300.00 Hz), centred	—
OSC 4	sine	G4+35¢ (400.00 Hz), hard R	—

Hypogeum 111 Hz ios web

Maltese megalithic chamber — single-tone radial symmetry

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A1+16¢ (55.50 Hz), hard L	—
OSC 2	sine	A2+16¢ (111.00 Hz), centred	—
OSC 3	sine	A3+16¢ (222.00 Hz), hard R	—
OSC 4	—	—	silent

Just Major Triad 4:5:6 ios web

C-E-G+C in pure intonation — 5-fold floral pattern

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C4+16¢ (264.00 Hz), hard L	—
OSC 2	sine	E4 (330.00 Hz), centred	—
OSC 3	sine	G4+18¢ (396.00 Hz), centred	—
OSC 4	sine	C5+16¢ (528.00 Hz), hard R	—

Octave Stack 1:2:4:8 ios web

75·150·300·600 Hz — pure-doubling lattice

OSC	Source	Note / Pan	Highlights
OSC 1	sine	D2+37¢ (75.00 Hz), hard L	—
OSC 2	sine	D3+37¢ (150.00 Hz), centred	—
OSC 3	sine	D4+37¢ (300.00 Hz), centred	—
OSC 4	sine	D5+37¢ (600.00 Hz), hard R	—

Perfect Fifths 2:3:9/2:27/4 ios web

100·150·225·337.5 Hz — recursive triangular symmetries

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G2+35¢ (100.00 Hz), hard L	—
OSC 2	sine	D3+37¢ (150.00 Hz), centred	—
OSC 3	sine	A3+39¢ (225.00 Hz), centred	—
OSC 4	sine	E4+41¢ (337.50 Hz), hard R	—

Solfeggio

Solfeggio 174 Hz ios web

Traditionally associated with grounding

OSC	Source	Note / Pan	Highlights
OSC 1	sine	F3-6¢ (174.00 Hz), centred	—
OSC 2	sine	F2-6¢ (87.00 Hz), hard L	—
OSC 3	sine	F4-6¢ (348.00 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 285 Hz ios web

Traditionally associated with body restoration

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C♯4+48¢ (285.00 Hz), centred	—
OSC 2	sine	C♯3+48¢ (142.50 Hz), hard L	—
OSC 3	sine	C♯5+48¢ (570.00 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 396 Hz ios web

Traditionally associated with releasing fear & guilt

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G4+18¢ (396.00 Hz), centred	—
OSC 2	sine	G3+18¢ (198.00 Hz), hard L	—
OSC 3	sine	D5+20¢ (594.00 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 417 Hz ios web

Traditionally associated with breaking patterns

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G♯4+7¢ (417.00 Hz), centred	—
OSC 2	sine	G♯3+7¢ (208.50 Hz), hard L	—
OSC 3	sine	D♯5+9¢ (625.50 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 432 Hz (Verdi) ios web

Alternative natural-tuning A

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A4-32¢ (432.00 Hz), centred	—
OSC 2	sine	A3-32¢ (216.00 Hz), hard L	—
OSC 3	sine	A5-32¢ (864.00 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 528 Hz ios web

Traditionally called the \

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C5+16¢ (528.00 Hz), centred	—
OSC 2	sine	C4+16¢ (264.00 Hz), hard L	—
OSC 3	sine	G5+18¢ (792.00 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 639 Hz ios web

Traditionally associated with relational harmony

OSC	Source	Note / Pan	Highlights
OSC 1	sine	D♯5+46¢ (639.00 Hz), centred	—
OSC 2	sine	D♯4+46¢ (319.50 Hz), hard L	—
OSC 3	sine	A♯5+48¢ (958.50 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 741 Hz ios web

Traditionally associated with insight

OSC	Source	Note / Pan	Highlights
OSC 1	sine	F♯5 (741.00 Hz), centred	—
OSC 2	sine	F♯4 (370.50 Hz), hard L	—
OSC 3	sine	C♯6+4¢ (1111.50 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 852 Hz ios web

Traditionally associated with restoring balance

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G♯5+44¢ (852.00 Hz), centred	—
OSC 2	sine	G♯4+44¢ (426.00 Hz), hard L	—
OSC 3	sine	D♯6+46¢ (1278.00 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 96 Hz ios web

Sub-bass grounding tone

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G2-36¢ (96.00 Hz), centred	—
OSC 2	sine	G1-36¢ (48.00 Hz), hard L	—
OSC 3	sine	G3-36¢ (192.00 Hz), hard R	—
OSC 4	—	—	silent

Solfeggio 963 Hz ios web

Traditionally associated with the crown chakra

OSC	Source	Note / Pan	Highlights
OSC 1	sine	B5-44¢ (963.00 Hz), centred	—
OSC 2	sine	B4-44¢ (481.50 Hz), hard L	—
OSC 3	sine	B6-44¢ (1926.00 Hz), hard R	—
OSC 4	—	—	silent

Mystic & Composers

Ligeti 1 — Chromatic Cluster ios web

C-C♯-D-D♯ tight semitone wash (Atmosphères opening)

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C3 (130.81 Hz), hard L	—
OSC 2	sine	C♯3 (138.59 Hz), centred	—
OSC 3	sine	D3 (146.83 Hz), centred	—
OSC 4	sine	D♯3 (155.56 Hz), hard R	—

Ligeti 2 — Whole-Tone Cluster ios web

C-D-E-F♯ whole-tone fragment, shimmering

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C3 (130.81 Hz), hard L	—
OSC 2	sine	D3 (146.83 Hz), centred	—
OSC 3	sine	E3 (164.81 Hz), centred	—
OSC 4	sine	F♯3 (185.00 Hz), hard R	—

Ligeti 3 — Microtone Cluster ios web

Quartertone cluster around A3 — 215·220·225·230 Hz

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A3-40¢ (215.00 Hz), hard L	—
OSC 2	sine	A3 (220.00 Hz), centred	—
OSC 3	sine	A3+39¢ (225.00 Hz), centred	—
OSC 4	sine	A♯3-23¢ (230.00 Hz), hard R	—

Scriabin 1 — Mystic Core ios web

C–F♯–B♭–E (lower 4 of the mystic chord)

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C3 (130.81 Hz), hard L	—
OSC 2	sine	F♯3 (185.00 Hz), centred	—
OSC 3	sine	A♯3 (233.08 Hz), centred	—
OSC 4	sine	E4 (329.63 Hz), hard R	—

Scriabin 2 — Mystic Upper ios web

F♯–B♭–E–A (upper 4 of the mystic chord)

OSC	Source	Note / Pan	Highlights
OSC 1	sine	F♯3 (185.00 Hz), hard L	—
OSC 2	sine	A♯3 (233.08 Hz), centred	—
OSC 3	sine	E4 (329.63 Hz), centred	—
OSC 4	sine	A4 (440.00 Hz), hard R	—

Scriabin 3 — Wide Mystic ios web

C–B♭–A–D (spread voicing, dropped F♯/E)

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C3 (130.81 Hz), hard L	—
OSC 2	sine	A♯3 (233.08 Hz), centred	—
OSC 3	sine	A4 (440.00 Hz), centred	—
OSC 4	sine	D5 (587.33 Hz), hard R	—

binaural2

Alpha 10 Hz (Relaxed Focus) ios web

210 L / 220 R

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G♯3+19¢ (210.00 Hz), hard L	—
OSC 2	sine	A3 (220.00 Hz), hard R	—
OSC 3	—	—	silent
OSC 4	—	—	silent

Beta 18 Hz (Alert) ios web

210 L / 228 R

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G♯3+19¢ (210.00 Hz), hard L	—
OSC 2	sine	A♯3-38¢ (228.00 Hz), hard R	—
OSC 3	—	—	silent
OSC 4	—	—	silent

Delta 4 Hz (Deep Sleep) ios

200 L / 204 R

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G3+35¢ (200.00 Hz), hard L	—
OSC 2	sine	G♯3-31¢ (204.00 Hz), hard R	—
OSC 3	—	—	silent
OSC 4	—	—	silent

Gamma 40 Hz (Insight) ios web

200 L / 240 R

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G3+35¢ (200.00 Hz), hard L	—
OSC 2	sine	B3-49¢ (240.00 Hz), hard R	—
OSC 3	—	—	silent
OSC 4	—	—	silent

Schumann 7.83 Hz ios web

100 L / 107.83 R

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G2+35¢ (100.00 Hz), hard L	—
OSC 2	sine	A2-34¢ (107.83 Hz), hard R	—
OSC 3	—	—	silent
OSC 4	—	—	silent

Theta 6 Hz (Meditation) ios web

200 L / 206 R

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G3+35¢ (200.00 Hz), hard L	—
OSC 2	sine	G♯3-14¢ (206.00 Hz), hard R	—
OSC 3	—	—	silent
OSC 4	—	—	silent

binaural3

Alpha + 5th ios web

10 Hz beat + perfect 5th drone

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A3 (220.00 Hz), hard L	—
OSC 2	sine	A♯3-23¢ (230.00 Hz), hard R	—
OSC 3	sine	E4 (330.00 Hz), centred	—
OSC 4	—	—	silent

Gamma Layered ios web

40 Hz with octave bedding

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G3+35¢ (200.00 Hz), hard L	—
OSC 2	sine	B3-49¢ (240.00 Hz), hard R	—
OSC 3	sine	G2+35¢ (100.00 Hz), centred	—
OSC 4	—	—	silent

Theta Triad ios web

Schumann + theta

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G2+35¢ (100.00 Hz), hard L	—
OSC 2	sine	A2-34¢ (107.83 Hz), hard R	—
OSC 3	sine	G1+35¢ (50.00 Hz), centred	—
OSC 4	—	—	silent

binaural4

Alpha + Gamma ios web

10 Hz and 40 Hz coexisting

OSC	Source	Note / Pan	Highlights
OSC 1	sine	A3 (220.00 Hz), hard L	—
OSC 2	sine	A♯3-23¢ (230.00 Hz), hard R	—
OSC 3	sine	D4+37¢ (300.00 Hz), hard L	—
OSC 4	sine	F4-46¢ (340.00 Hz), hard R	—

Complex Schumann ios web

7.83 + 14.3 + 20.8 layers

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G2+35¢ (100.00 Hz), hard L	—
OSC 2	sine	A2-34¢ (107.83 Hz), hard R	—
OSC 3	sine	G3+35¢ (200.00 Hz), hard L	—
OSC 4	sine	A3-45¢ (214.30 Hz), hard R	—

Dual Theta ios web

6 Hz + 4 Hz cross-beat

OSC	Source	Note / Pan	Highlights
OSC 1	sine	G3+35¢ (200.00 Hz), hard L	—
OSC 2	sine	G♯3-14¢ (206.00 Hz), hard R	—
OSC 3	sine	E4 (330.00 Hz), hard L	—
OSC 4	sine	E4+23¢ (334.00 Hz), hard R	—

Phi-Tuned Field ios web

Golden-ratio carriers, theta beat

OSC	Source	Note / Pan	Highlights
OSC 1	sine	C3+16¢ (132.00 Hz), hard L	—
OSC 2	sine	C♯3-7¢ (138.00 Hz), hard R	—
OSC 3	sine	G♯3+48¢ (213.50 Hz), hard L	—
OSC 4	sine	A3-4¢ (219.50 Hz), hard R	—

← Back to manual